8/24/2023 0 Comments Not for broadcast age ratingTo access these platforms, though, users need to be aged 13 or older to have and/or manage their own account.Ĭhildren can watch streams to get tips and ideas on how to be better at their favorite titles – particularly highly creative ones like Minecraft (Everyone 10+) – as well as seek out solutions and support should they be stuck on a particularly difficult level. ![]() These streams – which are broadcast live from the streamers’ own homes or offices – enables the audience to experience games in a way they might not ever be able to otherwise. ![]() Streaming gives kids an incredible window into the scope and magic of video games. To access these platforms, though, users need to be aged 13 or older to have and/or manage their own account, so it’s up to you to decide if it’s okay for them to have one under your watchful eye. Signing up is usually free and accessible from a wide range of devices, from phones and tablets, to laptops, PCs, and video game consoles like PlayStation 4 and Xbox One. There are various ways to view streams, but for the most part, your little ones will probably access them via websites like Twitch, YouTube Gaming, Facebook, and even Tik Tok. Turns out I was wrong! Where Can Kids Watch Streamers I couldn’t understand the attraction of watching someone else experience something I could do firsthand. My connection to a story is rarely greater than when I experience it with a controller in my hand, making the decisions, choosing my pathways, being part of that story. I mean, it wouldn’t have passed as gripping entertainment when we were kids… right? One of the things that sets video games apart from other types of media for me is the unique interaction you simply don’t get from reading a book or watching a film. I’ll admit that it took me some time to get acclimated to it, and that’s coming from someone who grew up gaming. Streaming is a weird concept to get your head around, isn’t it? ![]() Two complete strangers connected by the magic of the internet. A darker edge might have helped, some sort of commentary on current events in Downing Street and beyond, but instead we get a fictional sport with confusing rules, children’s toys that burst into flames, an appalling piece of youth theatre, and the acronym M.O.O.B.S.Someone is sitting in a room playing a video game, and your kid is in a different room watching. Parts are genuinely funny, but other times you expect Noel Edmunds or Jeremy Beadle to make an appearance (and if you’re blissfully unaware of '80s British TV, there really is no context that will help with those references beyond Google, where you should beware of Noseybonk). ![]() There was the opportunity for some real political satire here, but the blows fail to land, as the humour is just too silly. It’s not what you’d call subtle, and may leave some feeling cold rather than warmed by chuckles. Take, for example, an early interview with a police chief, who has some strong and offensive views, during which a gimp literally falls out of the cupboard behind him and he stands up to reveal he’s wearing stockings beneath his crisp white shirt. The contrast between your home and professional lives is stark. These segments, which take the form of text-based interludes between the TV chaos, are where the politics tries to make itself felt, as you face decisions about whether to help family members escape the regime, how to stretch the food a little further at Christmas, or to ignore the station manager’s order to work during your booked vacation. The news programme rapidly becomes government propaganda, forcing you to make decisions about what is broadcast, which can then affect your home life.
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